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ALLAN deSOUZA

The Lost Pictures

May 21 - July 15, 2005

ARBOR, 2004

ARBOR, 2004

Talwar Gallery is delighted to announce the exhibition of Allan deSouza’s new series of photoworks, The Lost Pictures. In the past, though foreboding cityscapes constructed of bodily and domestic debris or framing diaspora via eerily desolate ports, Allan deSouza has employed architecture as a vessel for systems of power. He has consistently destabilized and chipped away at fixed narrative structures and their role in the fabrication of identity.  The Lost Pictures is by far deSouza’s most personal body of work to date. Following his mother’s death in 2003, deSouza made prints of family slides of his own childhood that he exposed to the intimate wear and tear of daily life by placing them around his home in Los Angeles, including on the kitchen counter, bathroom floor, next to the sink, and on a shower wall. In these new works, detritus simultaneously adheres to and erases the image. As physical ephemera wash over and stain the prints, layers of the original information are drained from the surface. Alternately, the artist has painstakingly marked over his mother’s portraits; each mark sculpting his tribute while evoking her remembrance.

“The images in Lost Pictures are worn, and eaten around the edges, as if by a biting melancholic fervor. This was achieved by subjecting them first to a slow process of accretion, then decay, erasure, evanescence, and reproduction.”

-Okwui Enwezor

CAR, 2004

CAR, 2004


By inviting the present to inscribe itself over the images of his past, deSouza gives form to the allegorical link between photography and memory, exposing how both are deformed and transformed by time, collective narratives and the viewer/subject’s cultural and temporal perspective. By way of their mediated trajectory-printed and recopied, etched and stained- the final works directly evoke the essence of loss; delicately negotiated, however, with that which bears salvaging. In the process of questioning the camera and our ability to hold onto any moment in its original state, deSouza opens up a visual narrative space in which the past and the present can potentially coexist.

“Allan deSouza’s poignant exhibition explores the failings of both memory and photography as means of recording and preserving the past from aging, loss, displacement, and historical change.”

-JM, Modern Painters

 

 

 

 

 

FOUNTAIN, 2004, C Print
FOUNTAIN, 2004
FOUNTAIN (Detail)
FOUNTAIN, 2004, C Print

FOUNTAIN, 2004

C Print

60" x 40"

CAR, 2004, C Print
CAR, 2004
CAR (Detail)
CAR, 2004, C Print

CAR, 2004

C Print

40" x 60"

BIKE, 2004, C Print
BIKE, 2004
BIKE, 2004, C Print

BIKE, 2004

C Print

40" x 60"

TOMORROW, 2004, C Print
TOMORROW, 2004
TOMORROW, 2004, C Print

TOMORROW, 2004

C Print

40" x 60"

BLOSSOM, 2004, C Print
BLOSSOM, 2004
BLOSSOM (Detail)
BLOSSOM, 2004, C Print

BLOSSOM, 2004

C Print

40" x 60"

HARAMBEE! 2004, C Print
HARAMBEE! 2004
HARAMBEE! 2004, C Print

HARAMBEE! 2004

C Print

40" x 60"

GLADE, 2004, C Print
GLADE, 2004
GLADE, 2004, C Print

GLADE, 2004

C Print

40" x 60"

ARBOR, 2004, C Print
ARBOR, 2004
ARBOR, 2004, C Print

ARBOR, 2004

C Print

40" x 60"

BEACH, 2004, C Print
BEACH, 2004
BEACH (Detail)
BEACH, 2004, C Print

BEACH, 2004

C Print

40" x 60"

LECHKO, 2004, C Print
LECHKO, 2004
LECHKO, 2004, C Print

LECHKO, 2004

C Print

40" x 60"

FOUNTAIN, 2004, C Print

FOUNTAIN, 2004

C Print

60" x 40"

CAR, 2004, C Print

CAR, 2004

C Print

40" x 60"

BIKE, 2004, C Print

BIKE, 2004

C Print

40" x 60"

TOMORROW, 2004, C Print

TOMORROW, 2004

C Print

40" x 60"

BLOSSOM, 2004, C Print

BLOSSOM, 2004

C Print

40" x 60"

HARAMBEE! 2004, C Print

HARAMBEE! 2004

C Print

40" x 60"

GLADE, 2004, C Print

GLADE, 2004

C Print

40" x 60"

ARBOR, 2004, C Print

ARBOR, 2004

C Print

40" x 60"

BEACH, 2004, C Print

BEACH, 2004

C Print

40" x 60"

LECHKO, 2004, C Print

LECHKO, 2004

C Print

40" x 60"