The exhibition sets out to write the history of the contributions of women artists to abstraction with works dating from the 1860s to the 1980s. Far from being a mere catalogue, the exhibition reveals the decisive turning points that marked this development, the specific contexts for creation, the research conducted by the artists, individually or in groups, as well as the founding exhibitions.
Another Energy focuses on 16 female artists in their 70s or older, from across the globe, who continue to embark on new challenges. Showcasing their wide array of powerful works from paintings, video, sculptures, to large-scale installations and performances, this exhibition contemplates the nature of the special strength - “Another Energy” - of these women who have all continued challenging throughout their long-standing careers.
The Phillips Collection, America’s first museum of modern art, celebrates its centennial with Seeing Differently. The exhibition marks the first major celebration of the museum’s permanent collection in over 10 years and includes works by Paul Klee, Mondrian, Rothko, Pollock, Picasso, de Kooning, Calder, Jacob Lawrence and Ranjani Shettar amongst others...
From mundane objects to rapidly changing surroundings and her own ponderings, for artist Anjum Singh the subject remained experiential. Her complex compositions held multiple layers within, including fragments of her experiences and fight with cancer, which she succumbed to on November 17 in Delhi. She was 53.
An enigmatic figure sits cross-legged in a meditative pose in the middle of a circle in N. N. Rimzon’s sculpture The Round Ocean and the Living Death, 2019–20, which lent its intriguing title to the artist’s most recent exhibition. The statue’s nose and closed eyes are vermilion, offering a vivid contrast to its grayish body...
“Pull With a Direction,” a lovely and engrossing show at Talwar Gallery, presents a compressed, in-a-nutshell version of the development of Nasreen Mohamedi (1937-1990), one of the most original modernist artists of post-World War II India. While following the trajectory of the much larger retrospective at the Met Breuer in 2016...
The Kiran Nadar Museum of Art turns ten this year. We celebrate the past decade, bringing back vignettes that will highlight the museum’s multi-focal vision, its evolving mission, directions and journeys undertaken, mapping intersecting histories of the subcontinent.
Migrating Worlds brings together work by eight of Britain’s leading film and video artists in the first exhibition at the Yale Center for British Art dedicated exclusively to the moving image.
Earth Songs for a Night Sky is a multi-faceted project by Ranjani Shettar. Occupying two rooms and the staircase of the original Phillips House, the project is conceived in dialogue with Wassily Kandinsky’s artist’s book Klänge (Sounds)—which features 56 woodcuts and was published right after he had made his breakthrough into abstraction—and Klee’s late paintings in the Phillips’s collection, including Arab Song (1932), Efflorescence (1937), and Figure of the Oriental Theater (1934).
Unhinged by events of 1992-93, Rummana embarked on a courageous pursuit to excavate the marginalization of the other, their means and sustenance. Now, over 25 years after they were first created by the artist they still resonate with renewed vigor, except what were local origins at the time are now pervasive around the globe, abundant in echoes of intolerance to secularism and self.
Arpita Singh is one of the most significant women artists in India. This retrospective exhibition at KNMA gives an extraordinary opportunity to view six decades of her art practice.
Usually composed of numerous nonrepresentational forms, Ranjani Shettar’s immersive environments are inspired by her observations of the now-threatened natural environs of her native India.
You Remind Me of Someone relies on mechanisms triggered by resemblance, mimicry, and reciprocity in order to explore our relationship to images in a world in which they multiply endlessly on a daily basis. The visual and gestural similarities between the works question affinities, elicit encounters, seek to find a common thread in this continuous flux.
DeSouza’s most recent work reenacts and upends iconic colonial narratives of discovery in Africa.
One of the most significant artists to emerge in post-Independence India, Nasreen Mohamedi (1937–1990) created a body of work that demonstrates a singular and sustained engagement with abstraction. The Met Breuer exhibition, the first museum retrospective of the artist’s work in the United States, is an important part of the Met’s initiative to explore and present the global scope of modern and contemporary art.
The Van Every/Smith Galleries and Davidson College are pleased to present Contents Under Pressure, featuring the works of Allan deSouza and Alia Syed.
Nasreen Mohamedi was one of the first Indian artists to embrace abstraction, moving away from the more conventional doctrines of Indian modern art in the early decades of the 20th century. The exhibition, organised by the Museo Nacional Centro de Arte Reina Sofía and The Metropolitan Museum of Art, New York, in collaboration with the Kiran Nadar Museum of Art, New Delhi, displays her work – combining thought and action – in the intersections between her life and her art.
RANJANI SHETTAR in
On Line: Drawing Through the Twentieth Century