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In the press

ASAP, Nasreen Mohamedi’s “Pull with a Direction” | 3 December 2020
Artforum, N.N. Rimzon | 1 July 2020
The New York Times, Nasreen Mohamedi | 30 July 2020
Art Satva, Nasreen Mohamedi – A Life in So(u)litude | 28 July 2020
Galerie Magazine, A Love Letter to The Met: Curators Share the Works They Miss the Most | 17 April 2020
The Hindu Business Line, Of agony and ecstasy | 9 November 2019
Open Magazine, Illness as a Metaphor | 21 October 2019
Business Standard, Art, the artist and her body | 30 August 2019
Sculpture Magazine, Seeing What is Not There: A Conversation with Alwar Balasubramaniam | July/August 2019
Washington City Paper, Ranjani Shettar’s Earth Songs for a Night Sky Enchants with Assorted Materials at the Phillips Collection | 28 June 2019
IdeelArt, What Do Ranjani Shettar and Wassily Kandinsky Have in Common? | 3 June 2019
DCist, Ranjani Shettar’s Wooden Sculptures Are Hanging Out At The Phillips Collection | 20 May 2019
Artforum, Sheila Makhijani | 12 April 2019
The Indian Express, Talking the Line for a Walk | 10 April 2019
Artforum, Alia Syed | 12 February 2019
Hyperallergic, Arpita Singh Makes Her Mark | 21 October 2018
Sculpture, New York: Ranjani Shettar | October 2018
The Hindu, New York, New York | 29 September 2018
Artforum, Ranjani Shettar | September 2018
Artforum, Alwar Balasubramaniam | September 2018
The Indian Express, Bringing Nature Home | 5 August 2018
Mint, How South Asian art is speaking to the world | 2 June 2018
The Hindu, Wood bends in her hands | 1 June 2018
ART India, Cloud in the Room; Pools on the Canvas | March 2018
ART India, Prelude from ART India President Sangita Jindal | March 2018
ArtAsiaPacific, Seven ponds and a few raindrops | April 2018
The Indian Express, Up Above the World So High: Alwar Balasubramaniam takes up the brush after two decades | 11 March 2018
Mint, Ranjani Shettar, Making waves with wood | 18 July 2017
India Today, Sight Unseen | 10 July 2017
Hyperallergic, The Startling Abstractions of Arpita Singh | 17 June 2017
Ideel Art, When the Art of Arpita Singh Went Abstract | June 2017
Artforum, Ranjani Shettar | June 2017
The Indian Express, Uncertain Musings | 5 June 2017
4Columns, Allan deSouza and Alia Syed | 17 March 2017
The New York Times, In the Art World, Globalism’s New Spin | 30 October 2016
The New York Times, Last Chance: Nasreen Mohamedi | 27 May 2016
Artforum, Critics’ Pick: Alwar Balasubramaniam | 13 May 2016
The Boston Globe, Riveting modernism, mysticism from Nasreen Mohamedi | 24 April 2016
Aesthetica, Nasreen Mohamedi – A Philosophy in Life at Metropolitan Museum of Art | 21 April 2016
The Indian Express, Portrait of a Dissident Artist | 20 March 2016
The Wall Street Journal, Review: Nasreen Mohamedi Restrospective at The Met Breuer in New York | 15 March 2016
Artforum, Rummana Hussain | January 2016
Open Magazine, The Mark of a Modernist | March 28, 2016
The New York Times, The radical drawings of Indian artist Nasreen Mohamedi | March 15, 2016
Financial Times, What to watch out for in 2016: Nasreen Mohamedi | December 28, 2015
Artforum, Critics’ Picks: Rummana Hussain | November 2015
Mint, Open Wounds | October 10, 2015
Art Asia Pacific, Layers of Wind, Lines of Time | May 27, 2015
Arts Illustrated, Inside, Outside | April / May 2015
New York Times, Allan deSouza: Notes from Afar | May 1, 2015
Artforum, Critics’ Picks: Alwar Balasubramaniam | April 2015
Artforum, Shambhavi Singh | March 2015
Response to Artforum, Shambhavi Singh | April 2015
Livemint, Alwar Balasubramaniam: The reclusive superstar | January 17, 2015
New York Times, Ranjani Shettar: Night skies and daydreams | September 12, 2014
The Wall Street Journal, Ranjani Shettar: Night skies and daydreams | August 30-31, 2014
New York Times, Nasreen Mohamedi: Becoming One | January 17, 2014
New York Times Magazine, William Kentridge on Nasreen Mohamedi | October 2013
Hyperallergic, India’s Nasreen Mohamedi Belongs to Everyone | November 17, 2013
Artforum, Nasreen Mohamedi | May 2013
Art & Auction, Rooms for Art | July / August 2013
Art Asia Pacific,The Great Indian Art Bazaar | May 2013
Financial Times, Beyond the samosas | May 17, 2013
New York Observer, Alia Syed: Panopticon Letters | April 1, 2013
Mint, Beneath the surface | March 8, 2013
Financial Times, Nasreen Mohamedi: A View to Infinity | February 8, 2013
Mint, The line of control | February 2, 2013
Financial Times, So much for stereotypes | February 8, 2013
Silkwinds, Making sense out of nothing at all | January/February 2013
Art Asia Pacific Almanac, Ten memorable exhibitions from last year | January 2013
Mint, A walk on the wild side | December 2012
Modern Painters, Alwar Balasubramaniam | November 2012
Art Asia Pacific, Alwar Balasubramaniam | October 2012
Art India, Up in the Air | September 2012
LACMA, Eating Grass: Q&A with Filmaker Alia Syed | September 2012
The National, Ranjani Shettar’s airy sculptures are making waves | July 24, 2012
Artforum, Critics’ Picks | July 2012
The Pioneer, Space beneath the skin | March 27, 2012
The Sunday Guardian, Sculpting the unseen beauty of nothingness | March 25, 2012
Verve, Sculptures that Speak | March 2012
Art Fair, Rummana Hussain: a dialogue through diffracted traces…| January 2012
Sculpture, Playing with Creation | January 2012
Harper’s Bazaar, ‘Do you know what you see?’ The art of A. Balasubramaniam | January 2012
Design Today, This & That | January 2012
Robb Report, Life in Motion | December 2011
Time Out Melbourne, Ranjani Shettar: Dewdrops and Sunshine | November 15, 2011
The Hindu, When Art and Nature Intersect | November 13, 2011
The Age, In beauty’s delicate embrace | October 29, 2011
India Today, Art of the Matter | September 2011
The Sunday Guardian, Two feet journey: Idea and material must walk together | August 7, 2011
Robb Report India, The Alchemist | August 2011
Design Today, Ranjani Shettar | August 2011
Frieze, Ranjani Shettar | May 24, 2011
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