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In the press
ASAP
, Nasreen Mohamedi’s “Pull with a Direction”
| 3 December 2020
Artforum
, N.N. Rimzon
| 1 July 2020
The New York Times
, Nasreen Mohamedi
| 30 July 2020
Art Satva
, Nasreen Mohamedi – A Life in So(u)litude
| 28 July 2020
Galerie Magazine
, A Love Letter to The Met: Curators Share the Works They Miss the Most
| 17 April 2020
The Hindu Business Line
, Of agony and ecstasy
| 9 November 2019
Open Magazine
, Illness as a Metaphor
| 21 October 2019
Business Standard
, Art, the artist and her body
| 30 August 2019
Sculpture Magazine
, Seeing What is Not There: A Conversation with Alwar Balasubramaniam
| July/August 2019
Washington City Paper
, Ranjani Shettar’s Earth Songs for a Night Sky Enchants with Assorted Materials at the Phillips Collection
| 28 June 2019
IdeelArt
, What Do Ranjani Shettar and Wassily Kandinsky Have in Common?
| 3 June 2019
DCist
, Ranjani Shettar’s Wooden Sculptures Are Hanging Out At The Phillips Collection
| 20 May 2019
Artforum
, Sheila Makhijani
| 12 April 2019
The Indian Express
, Talking the Line for a Walk
| 10 April 2019
Artforum
, Alia Syed
| 12 February 2019
Hyperallergic
, Arpita Singh Makes Her Mark
| 21 October 2018
Sculpture
, New York: Ranjani Shettar
| October 2018
The Hindu
, New York, New York
| 29 September 2018
Artforum
, Ranjani Shettar
| September 2018
Artforum
, Alwar Balasubramaniam
| September 2018
The Indian Express
, Bringing Nature Home
| 5 August 2018
Mint
, How South Asian art is speaking to the world
| 2 June 2018
The Hindu
, Wood bends in her hands
| 1 June 2018
ART India
, Cloud in the Room; Pools on the Canvas
| March 2018
ART India
, Prelude from ART India President Sangita Jindal
| March 2018
ArtAsiaPacific
, Seven ponds and a few raindrops
| April 2018
The Indian Express
, Up Above the World So High: Alwar Balasubramaniam takes up the brush after two decades
| 11 March 2018
Mint
, Ranjani Shettar, Making waves with wood
| 18 July 2017
India Today
, Sight Unseen
| 10 July 2017
Hyperallergic
, The Startling Abstractions of Arpita Singh
| 17 June 2017
Ideel Art
, When the Art of Arpita Singh Went Abstract
| June 2017
Artforum
, Ranjani Shettar
| June 2017
The Indian Express
, Uncertain Musings
| 5 June 2017
4Columns
, Allan deSouza and Alia Syed
| 17 March 2017
The New York Times
, In the Art World, Globalism’s New Spin
| 30 October 2016
The New York Times
, Last Chance: Nasreen Mohamedi
| 27 May 2016
Artforum
, Critics’ Pick: Alwar Balasubramaniam
| 13 May 2016
The Boston Globe
, Riveting modernism, mysticism from Nasreen Mohamedi
| 24 April 2016
Aesthetica
, Nasreen Mohamedi – A Philosophy in Life at Metropolitan Museum of Art
| 21 April 2016
The Indian Express
, Portrait of a Dissident Artist
| 20 March 2016
The Wall Street Journal
, Review: Nasreen Mohamedi Restrospective at The Met Breuer in New York
| 15 March 2016
Artforum
, Rummana Hussain
| January 2016
Open Magazine
, The Mark of a Modernist
| March 28, 2016
The New York Times
, The radical drawings of Indian artist Nasreen Mohamedi
| March 15, 2016
Financial Times
, What to watch out for in 2016: Nasreen Mohamedi
| December 28, 2015
Artforum
, Critics’ Picks: Rummana Hussain
| November 2015
Mint
, Open Wounds
| October 10, 2015
Art Asia Pacific
, Layers of Wind, Lines of Time
| May 27, 2015
Arts Illustrated
, Inside, Outside
| April / May 2015
New York Times
, Allan deSouza: Notes from Afar
| May 1, 2015
Artforum
, Critics’ Picks: Alwar Balasubramaniam
| April 2015
Artforum
, Shambhavi Singh
| March 2015
Response to Artforum
, Shambhavi Singh
| April 2015
Livemint
, Alwar Balasubramaniam: The reclusive superstar
| January 17, 2015
New York Times
, Ranjani Shettar: Night skies and daydreams
| September 12, 2014
The Wall Street Journal
, Ranjani Shettar: Night skies and daydreams
| August 30-31, 2014
New York Times
, Nasreen Mohamedi: Becoming One
| January 17, 2014
New York Times Magazine
, William Kentridge on Nasreen Mohamedi
| October 2013
Hyperallergic
, India’s Nasreen Mohamedi Belongs to Everyone
| November 17, 2013
Artforum
, Nasreen Mohamedi
| May 2013
Art & Auction
, Rooms for Art
| July / August 2013
Art Asia Pacific
,The Great Indian Art Bazaar
| May 2013
Financial Times
, Beyond the samosas
| May 17, 2013
New York Observer
, Alia Syed: Panopticon Letters
| April 1, 2013
Mint
, Beneath the surface
| March 8, 2013
Financial Times
, Nasreen Mohamedi: A View to Infinity
| February 8, 2013
Mint
, The line of control
| February 2, 2013
Financial Times
, So much for stereotypes
| February 8, 2013
Silkwinds
, Making sense out of nothing at all
| January/February 2013
Art Asia Pacific Almanac
, Ten memorable exhibitions from last year
| January 2013
Mint
, A walk on the wild side
| December 2012
Modern Painters
, Alwar Balasubramaniam
| November 2012
Art Asia Pacific
, Alwar Balasubramaniam
| October 2012
Art India
, Up in the Air
| September 2012
LACMA
, Eating Grass: Q&A with Filmaker Alia Syed
| September 2012
The National
, Ranjani Shettar’s airy sculptures are making waves
| July 24, 2012
Artforum
, Critics’ Picks
| July 2012
The Pioneer
, Space beneath the skin
| March 27, 2012
The Sunday Guardian
,
Sculpting the unseen beauty of nothingness
| March 25, 2012
Verve
,
Sculptures that Speak
| March 2012
Art Fair
,
Rummana Hussain: a dialogue through diffracted traces…
| January 2012
Sculpture
,
Playing with Creation
| January 2012
Harper’s Bazaar
,
‘Do you know what you see?’ The art of A. Balasubramaniam
| January 2012
Design Today
,
This & That
| January 2012
Robb Report
,
Life in Motion
| December 2011
Time Out Melbourne
,
Ranjani Shettar: Dewdrops and Sunshine
| November 15, 2011
The Hindu
,
When Art and Nature Intersect
| November 13, 2011
The Age
,
In beauty’s delicate embrace
| October 29, 2011
India Today
,
Art of the Matter
| September 2011
The Sunday Guardian
,
Two feet journey: Idea and material must walk together
| August 7, 2011
Robb Report India
,
The Alchemist
| August 2011
Design Today
,
Ranjani Shettar
| August 2011
Frieze
,
Ranjani Shettar
| May 24, 2011
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