In the press

ASAP, Nasreen Mohamedi’s “Pull with a Direction” | 3 December 2020

Artforum, N.N. Rimzon | 1 July 2020

The New York Times, Nasreen Mohamedi | 30 July 2020

Art Satva, Nasreen Mohamedi – A Life in So(u)litude | 28 July 2020

Galerie Magazine, A Love Letter to The Met: Curators Share the Works They Miss the Most | 17 April 2020

The Hindu Business Line, Of agony and ecstasy | 9 November 2019

Open Magazine, Illness as a Metaphor | 21 October 2019

Business Standard, Art, the artist and her body | 30 August 2019

Sculpture Magazine, Seeing What is Not There: A Conversation with Alwar Balasubramaniam | July/August 2019

Washington City Paper, Ranjani Shettar’s Earth Songs for a Night Sky Enchants with Assorted Materials at the Phillips Collection | 28 June 2019

IdeelArt, What Do Ranjani Shettar and Wassily Kandinsky Have in Common? | 3 June 2019

DCist, Ranjani Shettar’s Wooden Sculptures Are Hanging Out At The Phillips Collection | 20 May 2019

Artforum, Sheila Makhijani | 12 April 2019

The Indian Express, Talking the Line for a Walk | 10 April 2019

Artforum, Alia Syed | 12 February 2019

Hyperallergic, Arpita Singh Makes Her Mark | 21 October 2018

Sculpture, New York: Ranjani Shettar | October 2018

The Hindu, New York, New York | 29 September 2018

Artforum, Ranjani Shettar | September 2018

Artforum, Alwar Balasubramaniam | September 2018

The Indian Express, Bringing Nature Home | 5 August 2018

Mint, How South Asian art is speaking to the world | 2 June 2018

The Hindu, Wood bends in her hands | 1 June 2018

ART India, Cloud in the Room; Pools on the Canvas | March 2018

ART India, Prelude from ART India President Sangita Jindal | March 2018

ArtAsiaPacific, Seven ponds and a few raindrops | April 2018

The Indian Express, Up Above the World So High: Alwar Balasubramaniam takes up the brush after two decades | 11 March 2018

Mint, Ranjani Shettar, Making waves with wood | 18 July 2017

India Today, Sight Unseen | 10 July 2017

Hyperallergic, The Startling Abstractions of Arpita Singh | 17 June 2017

Ideel Art, When the Art of Arpita Singh Went Abstract | June 2017

Artforum, Ranjani Shettar | June 2017

The Indian Express, Uncertain Musings | 5 June 2017

4Columns, Allan deSouza and Alia Syed | 17 March 2017

The New York Times, In the Art World, Globalism’s New Spin | 30 October 2016

The New York Times, Last Chance: Nasreen Mohamedi | 27 May 2016

Artforum, Critics’ Pick: Alwar Balasubramaniam | 13 May 2016

The Boston Globe, Riveting modernism, mysticism from Nasreen Mohamedi | 24 April 2016

Aesthetica, Nasreen Mohamedi – A Philosophy in Life at Metropolitan Museum of Art | 21 April 2016

The Indian Express, Portrait of a Dissident Artist | 20 March 2016

The Wall Street Journal, Review: Nasreen Mohamedi Restrospective at The Met Breuer in New York | 15 March 2016

Artforum, Rummana Hussain | January 2016

Open Magazine, The Mark of a Modernist | March 28, 2016

The New York Times, The radical drawings of Indian artist Nasreen Mohamedi | March 15, 2016

Financial Times, What to watch out for in 2016: Nasreen Mohamedi | December 28, 2015

Artforum, Critics’ Picks: Rummana Hussain | November 2015

Mint, Open Wounds | October 10, 2015

Art Asia Pacific, Layers of Wind, Lines of Time | May 27, 2015

Arts Illustrated, Inside, Outside | April / May 2015

New York Times, Allan deSouza: Notes from Afar | May 1, 2015

Artforum, Critics’ Picks: Alwar Balasubramaniam | April 2015

Artforum, Shambhavi Singh | March 2015

Response to Artforum, Shambhavi Singh | April 2015

Livemint, Alwar Balasubramaniam: The reclusive superstar | January 17, 2015

New York Times, Ranjani Shettar: Night skies and daydreams | September 12, 2014

The Wall Street Journal, Ranjani Shettar: Night skies and daydreams | August 30-31, 2014

New York Times, Nasreen Mohamedi: Becoming One | January 17, 2014

New York Times Magazine, William Kentridge on Nasreen Mohamedi | October 2013

Hyperallergic, India’s Nasreen Mohamedi Belongs to Everyone | November 17, 2013

Artforum, Nasreen Mohamedi | May 2013

Art & Auction, Rooms for Art | July / August 2013

Art Asia Pacific,The Great Indian Art Bazaar | May 2013

Financial Times, Beyond the samosas | May 17, 2013

New York Observer, Alia Syed: Panopticon Letters | April 1, 2013

Mint, Beneath the surface | March 8, 2013

Financial Times, Nasreen Mohamedi: A View to Infinity | February 8, 2013

Mint, The line of control | February 2, 2013

Financial Times, So much for stereotypes | February 8, 2013

Silkwinds, Making sense out of nothing at all | January/February 2013

Art Asia Pacific Almanac, Ten memorable exhibitions from last year | January 2013

Mint, A walk on the wild side | December 2012

Modern Painters, Alwar Balasubramaniam | November 2012

Art Asia Pacific, Alwar Balasubramaniam | October 2012

Art India, Up in the Air | September 2012

LACMA, Eating Grass: Q&A with Filmaker Alia Syed | September 2012

The National, Ranjani Shettar’s airy sculptures are making waves | July 24, 2012

Artforum, Critics’ Picks | July 2012

The Pioneer, Space beneath the skin | March 27, 2012

The Sunday Guardian, Sculpting the unseen beauty of nothingness | March 25, 2012

Verve, Sculptures that Speak | March 2012

Art Fair, Rummana Hussain: a dialogue through diffracted traces…| January 2012

Sculpture, Playing with Creation | January 2012

Harper’s Bazaar, ‘Do you know what you see?’ The art of A. Balasubramaniam | January 2012

Design Today, This & That | January 2012

Robb Report, Life in Motion | December 2011

Time Out Melbourne, Ranjani Shettar: Dewdrops and Sunshine | November 15, 2011

The Hindu, When Art and Nature Intersect | November 13, 2011

The Age, In beauty’s delicate embrace | October 29, 2011

India Today, Art of the Matter | September 2011

The Sunday Guardian, Two feet journey: Idea and material must walk together | August 7, 2011

Robb Report India, The Alchemist | August 2011

Design Today, Ranjani Shettar | August 2011

Frieze, Ranjani Shettar | May 24, 2011

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